Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone’s pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned?
Intervals, Scales, Tones and the Concert Pitch c = 128 Hz
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Additional information
| Weight | 21 oz |
|---|---|
| Dimensions | 8.5 × 0.5 × 12 in |
| Author | |
| ISBN | 978-1-906999-73-5 |
| Format | Paperback |
| Published | January 27, 2015 |
| Pages | 198 |
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